Cinema Shock

ONCE UPON A TIME IN CHINA (1991) | Cinema Shock Roulette

For the final entry in our Cinema Shock Roulette Extravaganza (but certainly not our last Cinema Shock Roulette episode), we're headed to Hong Kong to take a deep dive into the production of Tsui Hark's seminal martial arts film, ONCE UPON A TIME IN CHINA.
In this episode, we'll discuss not only the production of ONCE UPON A TIME IN CHINA, but the history of Chinese folk hero Wong Fei-hung on film, the early careers of Tsui and star Jet Li, and how this film reshaped the Hong Kong film industry, not only revitalizing the period martial arts film genre, but also spawning no less than five sequels, which in turn helped launch the career of martial arts sensation Donnie Yen.
Up Next: David Fincher — Rules of the Game, a 7-part series on the career of director David Fincher.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, and Justin Bishop & Todd A. Davis.
For episode archives, merch, show notes, and more, visit cinemashock.net

Cinema Shock Rewind: THE 36TH CHAMBER OF SHAOLIN (1978)

In this Cinema Shock Rewind episode, we're re-publishing our episode covering THE 36TH CHAMBER OF SHAOLIN!
As was the case with GAME OF DEATH, our previous Rewind episode, the history of THE 36TH CHAMBER OF SHAOLIN has some significant ties with the history of martial arts cinema in Hong Kong, which directly influences the creation of Tsui Hark's ONCE UPON A TIME IN CHINA. We're providing this episode as a refresher for older listners and new listeners alike, as it provides some fun context and cross-over with our upcoming episode covering Tsui's film.THE 36TH CHAMBER OF SHAOLIN was originally published in January 2021 as part of our Six Degrees of Kill Bill series.

Cinema Shock Rewind: GAME OF DEATH (1978)

In this Cinema Shock Rewind episode, we're republishing our episode covering Bruce Lee's GAME OF DEATH. The story of Bruce Lee ties in directly to our upcoming episode covering the production of ONCE UPON A TIME IN CHINA, so we're providing a refresher here for new listeners or longtime listeners who may want to revisit it.GAME OF DEATH was originally published in January 2021 as part of our series The Six Degrees of Kill Bill. 

POSSESSION (1981) | Cinema Shock Roulette

In this episode, Justin & Gary take a look at Andrzej Żuławski's controversial 1981 cult film POSSESSION!
This existential relationship drama (slash body horror?), inspired by the director's own painful divorce, is an acting showcase for its stars, Sam Neill and Isabelle Adjani, and up until the last few years, was almost impossible to find in the US in its original, unedited form.
This week, we'll take a detailed look at Żuławski's career in his native Poland, how he was forced to leave his home country by Poland's Communist government, and the circumstances that led to him filming a movie that Time Out called "extreme but essential viewing".
Synopsis: A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, and Justin Bishop..
For episode archives, merch, show notes, and more, visit cinemashock.net

THE IRON CLAW with Thrillbilly Silas Mason

Gary and Justin sit down and talk with professional wrestler 'Thrillbilly' Silas Mason about being in the ring with Zac Efron and Jeremy Allen White for A24's new film THE IRON CLAW - In theaters now!Check out this interview and let us know what you think! Should we try to do more interviews? Also let us know if you've seen The Iron Claw yet! You can hit us up on all social media - @cinema_shockSilas currently wrestles for Billy Corgan's (The Smashing Pumpkins) professional wrestling promotion, The National Wrestling Alliance (NWA). Check them out at youtube.com/@nwa and @nwa on all social media.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, and Justin Bishop..
For episode archives, merch, show notes, and more, visit cinemashock.net

SILENT NIGHT, DEADLY NIGHT PARTS 3-5 | Extras: Further Viewing

Think SILENT NIGHT, DEADLY NIGHT PART 2 was the end of the story? Oh, you sweet summer child. In this bonus episode, we take a quick detour through the rest of the franchise — from the incomprehensible SILENT NIGHT, DEADLY NIGHT PART 3: BETTER WATCH OUT! to the experimental oddity of SILENT NIGHT, DEADLY NIGHT PART 4: INITIATION, and the toy-obsessed weirdness of SILENT NIGHT, DEADLY NIGHT PART 5: THE TOY MAKER starring Mickey Rooney (yes, really). It’s a grab bag of direct-to-video holiday horror, loosely connected by name only — and we’re unwrapping them all.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, and Justin Bishop..
For episode archives, merch, show notes, and more, visit cinemashock.net

SILENT NIGHT, DEADLY NIGHT & PART 2: Killer Santas and Garbage Day Delights | Cinema Shock Roulette

In this holiday-themed installment of Cinema Shock Roulette, we’re decking the halls with blood and sleigh bells as we dive into the yuletide controversy of SILENT NIGHT, DEADLY NIGHT (1984) — the slasher that sparked national outrage and was pulled from theaters after just two weeks.
But we don’t stop there. We’re also unwrapping SILENT NIGHT, DEADLY NIGHT PART 2, the low-budget sequel that reused nearly half the footage from the first film — and somehow gave us one of the most memeable moments in cult horror history: “Garbage Day!”
From protest picket lines to killer Santas, from Catholic guilt to VHS resurrection, we’re tracing the strange and sleazy legacy of this infamously naughty franchise.
 
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, and Justin Bishop.
For episode archives, merch, show notes, and more, visit cinemashock.net

EVENT HORIZON (1997): The Sci-Fi Horror That Went to Hell | Cinema Shock Roulette

What if ALIEN had been directed by Clive Barker?
In this episode of Cinema Shock Roulette, we’re diving into EVENT HORIZON, Paul W.S. Anderson’s cult sci-fi horror film that famously crashed and burned at the box office before becoming a late-night classic.
We’ll explore the troubled production, including studio interference, a rushed edit, and the now-legendary lost footage. We’ll also dig into the film’s HELLRAISER-inspired depiction of Hell, the incredible set design, and how it ultimately found its audience among horror fans and convention goers years later.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, and Justin Bishop..
For episode archives, merch, show notes, and more, visit cinemashock.net
 

HEATHERS: The Cult Classic That Killed the Teen Movie | Cinema Shock Roulette

What if John Hughes movies did murder?
In this Roulette episode, we dig into Michael Lehmann’s pitch-black 1989 teen satire, HEATHERS — a film that skewered high school cliques, weaponized sarcasm, and launched a thousand “Dear Diary” imitators. We’ll talk about how Daniel Waters’ script turned every studio exec pale, how Winona Ryder risked her rising career to play Veronica, and how a young Christian Slater channeled Jack Nicholson into a performance that’s somehow both magnetic and terrifying.
From the film’s rocky road to production to its legacy as a cult classic, this is the story behind the original teenage time bomb.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne & Justin Bishop.
For episode archives, merch, show notes, and more, visit cinemashock.net

HOUSE (1977): Japan’s Surreal Horror Masterpiece | Cinema Shock Roulette

How do you describe a film like HOUSE?
Equal parts haunted house horror, surrealist art film, Looney Tunes cartoon, and experimental cinema, Nobuhiko Obayashi’s HOUSE (HAUSU) is one of the wildest, most unique cult movies ever made. But behind the madness is a fascinating story of how a commercial filmmaker and former ad man channeled the imagination of his 11-year-old daughter into one of the most visually inventive horror films of the 1970s.
In this episode of Cinema Shock Roulette, we take a deep dive into the making of HOUSE, exploring how Obayashi defied Japan’s studio system, weaponized pop culture surrealism, and accidentally created one of the most enduring Midnight Movies of all time.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.
For episode archives, merch, show notes, and more, visit cinemashock.net