Cinema Shock
The stories behind your favorite cult & genre films, and the people who make them.
Listen on:
Episodes
Tuesday Nov 22, 2022
Tuesday Nov 22, 2022
After cutting his teeth on low-budget horror, Sam Raimi was ready for the big leagues. The breakout success of Tim Burton’s BATMAN had launched a new wave of comic-book-inspired films, and Raimi was eager to join the fray.
But when he couldn’t secure the rights to characters like Batman or The Shadow, he did what any determined filmmaker would do: he invented his own. Enter DARKMAN — a twisted, operatic superhero tale about identity, vengeance, and science gone awry.
In this episode, we trace the development of DARKMAN from Raimi’s original pitch through a turbulent studio production at Universal, exploring how creative clashes shaped the final film. We’ll also examine the movie’s legacy, how it opened new doors for Raimi, and why it remains a fan favorite decades later.
Watch the unaired DARKMAN TV pilot: https://www.youtube.com/watch?v=EgiScRY0FRA
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.
Tuesday Nov 08, 2022
Tuesday Nov 08, 2022
After the failure of CRIMEWAVE, Sam Raimi was at a crossroads. His career as a filmmaker was on shaky ground — until mentor Irvin Shapiro encouraged him to return to the film that put him on the map: THE EVIL DEAD.
But rather than play it safe with a by-the-numbers sequel, Raimi went all-in. With a bigger budget (thanks to producer Dino De Laurentiis) and a creative vision fully untethered, Raimi used EVIL DEAD II as a proving ground for everything he loved: slapstick comedy, outrageous gore, cartoon physics, and Bruce Campbell in full manic glory.
In this episode, we trace the wild road to EVIL DEAD II — from its early concept as a time-traveling horror adventure, to the fast-paced production, and its eventual legacy as a cult classic that helped redefine the horror-comedy genre.
GoFundMe for Alyssa Fowler: https://gofund.me/60e5d127
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.
Episode archives & more: www.cinemashock.net
Tuesday Nov 01, 2022
Tuesday Nov 01, 2022
For this bonus episode, we're doing something a little different: We're giving some tips and tricks for anyone who might be interesting in doing this whole podcasting thing. Ever thought about doing a podcast but didn't know how to start? Now you can get some advice from three dudes who *sort of* know how to do it.
Tuesday Oct 25, 2022
Tuesday Oct 25, 2022
After the runaway success of THE EVIL DEAD, Sam Raimi and his Michigan crew were given the opportunity to go legit—with real money, a Hollywood cast, and a script co-written by none other than Joel and Ethan Coen.
The result? CRIMEWAVE, a screwball noir comedy that was plagued by creative interference, disastrous test screenings, and a studio that ultimately took the film away from its creators.
In this episode, we trace the chaotic making — and unmaking — of CRIMEWAVE, the one film Sam Raimi has all but disowned. We’ll also look at how the experience helped shape Raimi’s future collaborations with the Coen Brothers and influenced the creative freedom he fought for going forward.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.
Episode archives & more: www.cinemashock.net
Tuesday Oct 18, 2022
Tuesday Oct 18, 2022
In this bonus episode, the guys discuss things they've been watching lately and try to figure out why Todd thinks MOON is a STAR TREK-adjacent movie (a subject to be further explored on a future episode of Computer, Resume Podcast)
Tuesday Oct 11, 2022
Tuesday Oct 11, 2022
It’s time for a new series here on Cinema Shock! This week, we kick off a multi-part exploration of the career of Sam Raimi, the filmmaker who went from Michigan movie-obsessed teenager to the director of some of Hollywood’s biggest blockbusters.
But before SPIDER-MAN or DOCTOR STRANGE, Raimi made his name with a scrappy, super low-budget horror film that would go on to become one of the most iconic entries in the cult canon: THE EVIL DEAD.
In this episode, we dig into Raimi’s early years making Super 8 shorts with friends like Bruce Campbell and Scott Spiegel, the long and grueling process of shooting THE EVIL DEAD in a freezing Tennessee cabin, and how a little help from Stephen King helped get the movie in front of horror fans around the world.
It’s a tale of DIY ingenuity, exploding lenses, and a chainsaw-wielding cult legend in the making — the perfect start to our series: Sam Raimi: The Entertainer.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.
Wednesday Oct 05, 2022
Wednesday Oct 05, 2022
In this Roundtable discussion, we talk about everything from CHILD'S PLAY to WRATH OF KHAN to DELIVERANCE! We'll also be letting you know what to expect from our next longford series, which will begin NEXT WEEK!
For episode archives, merchandise, and more, visit http://www.cinemashock.net
Tuesday Sep 27, 2022
Tuesday Sep 27, 2022
In this Cinema Shock Roulette episode, we’re heading deep into the foggy woods with PUMPKINHEAD, the 1988 creature feature that marked the directorial debut of legendary FX artist Stan Winston.
Known for his Oscar-winning work on films like ALIENS, THE TERMINATOR, and JURASSIC PARK, Winston brought his creature chops and gothic sensibilities to this low-budget revenge tale starring Lance Henriksen as a grief-stricken father who summons a demon to exact vengeance.
We’ll dig into the film’s folk horror influences, its practical effects legacy, and how it evolved from a poem into a cult-favorite franchise — even if the sequels never quite measured up.
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.
For episode archives, merch and more, visit cinemashock.net
Tuesday Sep 20, 2022
Tuesday Sep 20, 2022
In this Roundtable discussion, the guys discuss what they've been watching lately (aside from the movies they watch for the show) and then spin the wheel to find out what the next Cinema Shock Roulette episode is going to cover! Want to know what's next? You'll have to listen!
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.
Tuesday Sep 13, 2022
Tuesday Sep 13, 2022
More than a decade after TITANIC, James Cameron returned to narrative filmmaking with a film that many doubted would succeed. The year was 2009, and AVATAR was a massive gamble: a wildly expensive, original sci-fi epic that leaned heavily on unproven technology and an entirely digital world.
But Cameron once again proved the doubters wrong.
In this episode, we trace the full story of AVATAR — from the seed of the idea back in the 1990s, to the development of its revolutionary 3D technology and performance capture, to its box office domination and long-term cultural impact. We’ll explore how Cameron made the most expensive movie ever feel like a sure thing, and how AVATAR changed the future of filmmaking (whether Hollywood was ready for it or not).
Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.
This episode was written, produced and edited by Gary Horne, Justin Bishop, and Todd A. Davis.